Compared to James Runcie, 85 year old Richard Holloway is a small man, smooth headed and bespectacled. Runcie describes him in the introduction as ‘gorgeously unorthodox; a bold troublesome priest; repeating others’ words about him as ‘Britain’s barmiest Bishop’ and ‘an old bugger’ which brings a wry smile to Holloway’s face as he begins to speak about Waiting for the Last Bus, Reflections on Life and Death published by Edinburgh based publisher Canongate. “It kept writing itself”, Holloway explains, ”right up until the last minute”. Beyond in fact, because he then smuggled an extra page at the end, beginning, “My dog Daisy died … We walked thousands of miles together on the Pentland Hills until she was too old. The first trek I took without her…I wept …”. Some in the audience wept too, and there is an aaah before the applause following this reading.

This is a moving and a humourous Edinburgh International Book Festival event. Runcie asked Holloway if his book is a 21st century Ars moriendi (Medieval end of life practical instruction, from The Art of Dying, 1414) and he replied “I think that’s an excellent way of putting it”. He makes the point several times, that what with the increasing medicalisation of dying and the tendency for people to speak in certainties (which, he says, can never be), we are no longer allowed to do it ourselves. He tells us that he wishes to remain in his own bed, to die “at home so I can be cuddled. I might even come out with some famous last words.” “You could be there for hours!”, Runcie retorts, getting another laugh.

Replete with stories and quotes galore, Holloway’s conversation is slick and deeply informed. He’s aware, compassionate and demonstrates informed understanding. The sayings trip off his tongue – this is a subject he is an expert at, and he brings us up to date with his current thinking in response to the likes of Richard Dawkins “(he’s so certain and I am so unsure, that he has the same effect on me as an evangelical fundamentalist”); the Dalai Lama (who summed up the difference between them by saying “I am a cat man, you are a dog man”); assisted dying (an “intensely complicated “ subject); and how to explain the horror of death to a young person (“Don’t lie directly to a child. A consoling fiction may be.”).

After 50/60 years as a priest, “death’s an old friend”, Holloway explains in his clipped Scottish accent. He sways gently from side to side as he reads at the lectern, entertaining us: “I’m hoping Hollywood will turn me into a zombie. I’m told I’ll require no make-up”.  And then he offers up his advice: “Cherish those you love, and indulge in melancholy. Let’s do it well.”

Richard Holloway is chairing the following events there: Stuart Kelly on 18th , Hilary Spurling and Jenny Uglow on 23rd at 15.45 and Claire Tomalin on 27th at 11.45.