Egg
Sarah Bebe Holmes is entrancing from start to finish in this masterfully crafted piece of physical theatre.
Beth is our Theatre Editor here at The Wee Review. Currently an MScR in Hispanic Studies student at the University of Edinburgh, she likes to write reviews as a way of forcing herself to leave the library from time to time. Previously Fringe and Culture editor at The Student newspaper.
Sarah Bebe Holmes is entrancing from start to finish in this masterfully crafted piece of physical theatre.
Gary McNair’s drama contemplates a future without the NHS. The result isn’t promising.
Zimmerman’s script stunts his protagonist in this reactive piece on grief and gun violence.
Iseult Golden and David Horan offer a stellar exploration of the education system, class and raising kids after separation.
The Artistic Director of New Room Theatre talks about his verbatim play exploring alcoholism and the road to recovery.
Uneven performances stop this award-winning play from having Alexi Kaye Campbell’s intended impact.
A laid-back evening celebrating what the passion and creativity found in Basque short film cinema.
Theatre Lovett welcomes you to Le Monde Bouleversé, the setting of a captivating tale of vengeance and redemption.
Theatre Objektiv’s beautifully compelling drama reveals the devastating toll the SS Arandora Star had on Scotland’s Italian community.
We sat down with Artistic Director Orla O’Loughlin, to discuss what to expect from the Traverse’s festival programme.
Although a great display of talent, the RCS’s students are stunted by Weill’s flawed opera.
In a captivating production, Ludens Ensemble give a voice to the people of Cyprus who were long-silenced during the national civil war.
Seven years in and no sign of slowing down, Summerhall once again hope to win over Fringe audiences with their cultural smörgåsbord of a programme.
Shôn Dale Jones’ performance at The Traverse comes across as more self-serving than selfless.