Beth Blakemore
@beth_blakemore
By day, Beth is a books editor for an international publisher. By night (and all weekend), she is the Theatre Editor here at The Wee Review. She is returning to the University of Edinburgh in September to begin a PhD in Hispanic Studies. Other writing and editing experience includes being Fringe and Culture Editor at The Student newspaper during her undergraduate degree.
Reviews: 72
Other Articles: 6
Scenes for Survival: Week 2 [ONLINE]
A captivating trio of scenes showcasing Scotland’s acting and writing talents
COVID-19: Edinburgh August festivals cancelled
Edinburgh’s August festivals announce the cancellation of all five major festivals set to take place in the Scottish capital
COVID-19: Theatres close across Scotland
As the Scottish Government restricts gatherings of over 500 people, theatres begin to cancel and postpone events
BARRY
An eccentric and engrossing piece of theatre that gives a voice back to the trans community
Sonia Aste: Made in Spain 2
Topical tapas are on the menu in this festive hour of comedy
The Trojans
Harrowing experiences of war and displacement are relived by Glasgow’s Syrian community
Kalakuta Republik
An evocative evening of dance that is unflinching in its force and passion
Ed Byrne: If I’m Honest
Byrne is as self-deprecating and cynical as ever in this hilarious hour of comedy about raising his kids
Islander: A New Musical
Mesmerising vocals make for an enchanting hour of song and storytelling
In the Shadow of the Black Dog
A raw and heartfelt conversation about suicide and grief
Blood and Gold
Mara Menzies gifts us with her storyteller finesse once again
Going Slightly Mad
A sedate and underwhelming portrayal of the NHS’s mental health services
(This Isn’t) A True Story
Hysteria and hilarity are in abundance in Nina Segal’s tragicomedy about conspiracy.