Beth is our Theatre Editor here at The Wee Review. A recent Master's graduate from the University of Edinburgh, Beth is currently based in London and acting as our London Correspondent before she returns back to the homelands. She hopes to begin a PhD in Hispanic Studies in the coming year. Her writing and editing experience includes being Fringe and Culture editor at The Student newspaper during her undergraduate degree.
Peeping Tom’s star is lost among comic farce and negative portrayals of elderly care.
Gecko enrapture their audiences with this energetic and eccentric portrayal of the modern world.
Théâtre de L’Entrouvert’s masterful puppetry and creativity leaves its audiences transfixed.
An entertaining, though slightly lacking, display of puppetry and folklore at the London International Mime Festival.
A carefully composed piece of theatre detailing one Holocaust survivor’s struggle to make sense of his experiences.
Sarah Bebe Holmes is entrancing from start to finish in this masterfully crafted piece of physical theatre.
Gary McNair’s drama contemplates a future without the NHS. The result isn’t promising.
Zimmerman’s script stunts his protagonist in this reactive piece on grief and gun violence.
Iseult Golden and David Horan offer a stellar exploration of the education system, class and raising kids after separation.
The Artistic Director of New Room Theatre talks about his verbatim play exploring alcoholism and the road to recovery.
Uneven performances stop this award-winning play from having Alexi Kaye Campbell’s intended impact.
A laid-back evening celebrating what the passion and creativity found in Basque short film cinema.
Theatre Lovett welcomes you to Le Monde Bouleversé, the setting of a captivating tale of vengeance and redemption.