The Kid Who Would Be King

A career portraying eccentric firebrands should await for Angus Imrie on this showing.

Bumblebee

If this is the new direction, let them bring on as many as they wish.

Don Quixote: Unbound

An enjoyable re-imagining of the classic Cervantes tale.

Richard Soames: Let’s Make A Movie

A wonderful and interactive show from a pleasant and polite auteur.

Maddie Campion: 20 Uses for a Lovedoll

Departure from stand-up weakens this debut set

Lou Sanders: Shame Pig

Early time-slot undermines naughtiness of raw, observational performer.

Tony Law: A Lost Show

Likeable performer is non-sequiturs and foolishness, but ends with a disappointing finale.

Filth

Versatile and talented Jake Francis is impeded by script and performance alterations.

Jim Tavaré: From Deadpan to Bedpan

Recent accident means Fringe comeback is heavy on trauma, light on laughs.

Glenn Moore: Glenn Glenn Glenn, How Do You Like It, How Do You Like It

Ambitious and circuitous set involving the secret life of surgeons, the evolution of pyjamas and an unquenchable desire to be an astronaut.

Martin Mor: All The Best

Mor substitutes bonhomie and the occasional slur for a conventional set

Milo McCabe : The Talented Mr Hawke

Dissection of a confusing modern landscape with grace and bewilderment.

Charmian Hughes – Soixante Mirth

Engaging performer interprets her life’s journey through the eyes of her younger self.

Chris Davis: One-Man Apocalypse Now

A little confusing but with undeniable technical accomplishment

Stella Graham: Rage Against The Unclean

Material fails to capture the attention of a confused and awkward room.