Andrew Latimer

Believable and brutal film, censuring the idea of “treating” people with mental illnesses who struggle to maintain relationships.

Philip Seymour Hoffman adds wit to this watchable, but pedestrian, adventure.

Gala screening maintains a recent, though not all-encompassing, tradition at the EIFF of disappointing British fare.

Denis Côté’s opportunity to create an audiovisual landscape of labour is completely squandered.

Stunningly artful vision of religious fortitude and arrogance thwarting our right to individual freedom.

An inventive, stylish futuristic drama which is too complicated for its own good.

A hilarious, horrific and hammy (all at once) Giallo debut from Brian O'Malley.

Still an urgent and emotive account of the Arab Spring, but it’s hard to see how Peter Snowdon’s film tells us anything new.

A very capable road movie full of knife-edge drama and unease.

There’s no huge satire or political anchor in Alves’s film, but rather a very well-made comedy of manners.