Crossing the Line
A collection of shorts portraying the pride that should be felt with ideals that have previously been suppressed.
Callum Madge
@CWMadge
Callum is Creative Administrator for Lung Ha Theatre Company - a theatre company for learning disabled performers, and Project Administrator for flip Artists - an initiative which supports the artistic development of disabled artists. He has been writing for The Wee Review since 2011.
http://callumwaianamadge.wordpress.com/238 articles
Extraterrestrial
Nacho Vigalondo's comic alien invasion thriller has much to teach us about corrupt government officials.
Unfinished Spaces
An encouraging yet tragic tale of corrupted ideals and financial dependence.
The Adventures of Prince Achmed
Considered to be the world's first feature length animation, Reiniger's film is far from dated.
Jo Nesbo’s Headhunters
Winning Scandinavian thriller with greater depth than what we saw in Stieg Larsson's Millenium trilogy.
Staying Loyal to Spoiling Oil
Why has there been so much controversy in the announcement of BP's renewed £10m contract by four of Britain's leading cultural institutions? Callum Madge looks into it.
Black Gold
While insightful, this feels like a piece of western propaganda on America's right to Arabian oil.
Once Upon a Time in Anatolia
A melancholic allegory for the obstacles faced in achieving a state of relief and eventually peace.
Interview: Martin O'Neill: Bated Breath
Romantic settings and unromantic characters form Martin O'Neill's production for Bated Breath at the Traverse. He speaks to us about the ideas behind it.
Interview: Susan Robertson: Bated Breath
Susan Robertson speaks to us about the influences of nostalgia and technology ahead of her play When The Clock Strikes at the Traverse.