Swan Song: The Memoirist’s Archive

Kate Bond’s production, a combination of installation and live theatre, examines the more specific relationship between people, and how we understand others through relationships we form with the world around us.

22 March 2011

Journey’s End

[Rating: 4/5] A show that portrays and humanises the otherwise incomprehensibly large numbers of young men who died fighting, without glory or sentimentality.

17 March 2011

The Confidant

Bissett makes it clear that compassion is the arrow of our moral compass, and should always be considered in politics; realising this will turn us in the direction of change.

15 March 2011

Wild Life

[Rating: 3/5] Setting ourselves apart from another, be it class, gender or race helps us fulfil the ‘I can make my life better than everyone else’s dream. Wild Life questions whether it is possible to remove ourselves from that mentality

12 March 2011

A Dead Man’s Dying

[Rating: 4/5] The presence of dictatorships and their allegiance to Western superpowers is nothing new; what's different is the belief that the pursuit of revolution will lead to change.

9 March 2011

Sweetness

Dogstar's latest touring production poses a question of peace and what we do to achieve it

5 March 2011

Four Parts Broken

From education to politics, the workplace to the family unit, our dependence on and experience with institutions influence who we are and the choices we make.

1 March 2011

Sweetnesss

In light of their new production, we caught up with Dogstar performer/director Matthew Zajac to learn about Sweetness..

23 February 2011

Age of Arousal

A collaboration between Stellar Quines & the Lyceum, a discussion on womanhood and individuality: why conform when you can be a success?

21 February 2011