Fringe Diary: April
Three theatre companies tell us of their progress toward this year's Fringe
Robert is the Managing Editor of The Wee Review and has been writing for the site since 2014. Previously, he was manager of the Yorkshire arts website, digyorkshire. Having worked in the arts, charity and horseracing sectors, he is now a full-time software engineer and lives in Edinburgh with his partner and two young daughters.
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The Woman In Black
Thrillingly escapist ghost story can still scare the bejesus out of an audience.
Broth
Black comedy about a violent, drunken father brings the Traverse's A Play, A Pie and A Pint season to a successful end.
Jesus Christ Superstar
Powerful as ever, although there have been more well-rounded productions.
Interview: Ishbel McFarlane
The maker of Scots language piece O Is For Hoolet talks to us ahead of shows at the Arches and Traverse.
Preview: Edinburgh International Festival
We take a highlighter pen to this year's Edinburgh International Festival
Take The Rubbish Out, Sasha
Not wholly satisfying Ukrainian play in which a soldier's sudden death leaves his wife and step-daughter alone and worried.
Lizabett Russo
A criminally underattended exhibition of musical talent from Aberdonian singer and support acts.
Leviathan
A warm, sad tale of daughter, mother and grandmother from the Welsh valleys
John Shuttleworth: A Wee Ken To Remember
Likeable singer-songwriter's gentle Northern humour is becoming cringeworthy - and not in a good way