Sarah Findlay

A universal tale of grief and loss in which a young couple fear their dreams may be be taken from them.

It's business as usual with another King's panto but sadly something feels a bit off.

A Palme D'Or winning, raw and tender look into the ferocious young love of two women.

Campillo’s slow-burner doesn't pay off but does offer up some interesting concepts.

A raw and muted look into mental trauma from the eyes of the sufferer and the wider community.

Beautifully capturing the pain Alzheimer’s inflects not only on the sufferer but those around them too.

National Theatre of Scotland offers up a Christmas show leagues ahead of the rest.

[rating: 4/5] Business as usual as the King's serves up another cracking panto.

The Lyceum’s Christmas offering should tick all the boxes but something’s fundamentally wrong with the text.

Rona Munro on how far female playwriting has come over the last 30 years ahead of a new adaptation of Iron at the Traverse.