film

AiM is back, bringing a chance to challenge any preconceived notions about African writers, directors, actors and filmmakers.

All Night Horror Madness proves that our love affair with horror is alive, well, and of course, growing.

A meditation on the power of method acting.

Although not an original concept, Steve James' fierce new documentary portraits a social group who "interrupt" Chicago gang violence.

Spurlock returns with an eye-opening exploration into capitalism's freewheeling marketing processes.

This is a feel-good film that reminds us to appreciate what we’ve got, because human nature’s inherent longing for the past will never be productive.

Too cool to be seen in major cinema chains, Refn's new crime thriller transcends anything you're likely to see this year.

Kevin Smith's message of Christian extremism in the US gathering power is sadly eclipsed by the movie’s premature and infuriating conclusion.

EMFF is back, giving outdoor enthusiasts of all ages, backgrounds and disciplines the chance to enjoy Scotland’s beautiful scenery, without having to leave the city.

Refreshing, thought-provoking and containing more than a few jumps and surprises, The Woman is a must see for all horror fans.