@ Edinburgh Playhouse, until Sat 2 Apr 2016
When attending The Rocky Horror Show, you expect a cult of fans looking like a mob of the show’s characters, dolled up in lab coats, glittery hats, suspenders and stilettos. But upon arriving at the Playhouse this Tuesday night, it isn’t the case. Surprisingly, the majority of audience members are dressed as if going to see a “normal” production. But should you have to be part of the clique to really enjoy The Rocky Horror Show? Whether you’re a fan or a first timer, this is an otherworldly performance that does not disappoint.
In creating the show, writer Richard O’Brien combined sci-fi and horror, inspired by the B-movies of his generation. It’s like a strictly adults-only pantomime, filled with dirty innuendos. When the raunchy rock ‘n’ roll musical was first performed at the Royal Court in 1973, the sexual nature would have shocked; now, it is celebrated. The Sweet Transvestite from Transsexual Transylvania isn’t as alien as he once was.
The usual audience participation is, presumably, planted, which is funny for the most part, and gives Norman Pace an opportunity to stand out as the wise-cracking narrator. Although to begin with energy is lacking, by the end the audience are awestruck and the ground is shaking as everyone stands up to thrust their pelvises to the Time Warp.
The choreography starts off slightly stiff, with the head tilts and repetitive movements resembling Vogue. Perhaps this is because of the frigid Janet (Diana Vickers), who admittedly needs to loosen up after experiencing a world of sex and madness in Dr Frank-N-Furter’s mansion. You might expect her to be the star of the show, but this evening she is outshined by the rest of the cast. She doesn’t have the strongest voice, despite being on X Factor, and isn’t a natural dancer, perhaps because she’s finding it difficult wearing shoes on stage, let alone heels.
On the other hand, the talented Sophie Linder-Lee as Columbia is a favourite. She’s hilarious, with unexpectedly operatic vocals. The absolute star though is undoubtedly Liam Tamne as Frank-N-Furter, whose comical moments are perfectly timed.
Hugh Durrant‘s set design is unique, a highlight of the production. The stage is set up like a film reel, with a colourful cartoon taking place inside. Behind the film strip, we see the musicians who are playing those timeless hits. Partnered with Sue Blane’s sparkly costume design, this gives the production the pizzazz required for this immortal show. There really isn’t anything quite like The Rocky Horror Show.