Scotland's online arts and culture magazine
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Callum Madge

@CWMadge

Callum is Creative Administrator for Lung Ha Theatre Company - a theatre company for learning disabled performers, and Project Administrator for flip Artists - an initiative which supports the artistic development of disabled artists. He has been writing for The Wee Review since 2011.

callumwaianamadge.wordpress.com/

Reviews: 209
Other Articles: 29

InRealLife

A fascinating insight into how many of today’s youth have become obsessed with our blooming online culture.

12 Years a Slave

This harrowing account, based on a true story, depicts the despicable conditions countless slaves were subjected to.

The Great Beauty

An aging arts journalist based in Rome goes about his life in this bewitching, BAFTA nominated piece of cinema.

What Maisie Knew

As two divorcing parents continually row with each other, their daughter grows closer to their new partners.

Sleeping Beauty

A light-hearted and comical version of the classic tale, with an East Lothian twist.

Gravity

Darren Lackie from Espresso Mondo speaks about newly released blockbuster, Gravity.

Gravity

When a disaster happens in space, efforts find safety are even more difficult in this beguiling but horrifying thriller.

The Good Man

Two people on opposite sides of the planet become linked through unfortunate circumstances.

Gloria

A fifty-plus divorcee takes another chance at romance in this touching drama.

Love of Lesbian

The Spanish indie band bring the hits of their Spanish No. 1 album to Edinburgh.

Suicide by Suicide

David Griffin, Managing Director of Elvis Shakespeare music and book shop, speaks about his favourite album.

Interview

Interview: Stewart Laing

Callum Madge talks to the director and designer about his new show, Paul Bright’s Confessions of a Justified Sinner.

State 194

Documentary looking at Palestine’s 2011 attempt to join the United Nations.

Blood Brother

A young American man leaves home to volunteer in an Indian orphanage for children with HIV.

Dark Road

Ian Rankin and Mark Thomson’s co-production is chilling but lacks a certain bite.