Scotland's online arts and culture magazine
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Callum Madge

@CWMadge

Callum is Creative Administrator for Lung Ha Theatre Company - a theatre company for learning disabled performers, and Project Administrator for flip Artists - an initiative which supports the artistic development of disabled artists. He has been writing for The Wee Review since 2011.

callumwaianamadge.wordpress.com/

Reviews: 209
Other Articles: 29

Here, Then

Mao’s starkly tormenting portrayal warns that, for the most part, life doesn’t mirror magazines.

The Chairs

Sharply perceptive and satirical take on the overvaluing of society’s eminent figures.

Moonrise Kingdom

As with Anderson’s previous work, a veil of fantastical realism helps tackle some thorny social puzzles here.

Café de Flore

Though occasionally tender, this is largely pretentiousness posing as cinematic artistry.

Bhopali

Max Carlson’s documentary is a stirring account of moral and ethical liabilities.

Rosas de Sangre

An enjoyable production which focuses on the sensual bombardment of an illegal liaison.

The Kid with a Bike

Intelligent and thought-provoking insight into the detrimental effects that the lack of a patriarchal figure can have.

Michael

A sinister and traumatising account of paedophilia.

Crossing the Line

A collection of shorts portraying the pride that should be felt with ideals that have previously been suppressed.

Extraterrestrial

Nacho Vigalondo’s comic alien invasion thriller has much to teach us about corrupt government officials.

Opinion

Staying Loyal to Spoiling Oil

Why has there been so much controversy in the announcement of BP’s renewed £10m contract by four of Britain’s leading cultural institutions? Callum Madge looks into it.