You never quite know what you will get with Hen Ogledd, the four piece – Rhodhri Davies, Sally Pilkington, Richard Dawson and Dawn Bothwell – all bring disparate elements to the sonic pick n mix, so it keeps things just the right side of chaotic. There’s nothing here as poppy as ‘Problem Child’ or the slightly twee ‘Trouble’ – indeed, they’re in revolutionary mode this time around, casting an eye towards global concerns and tentatively calling for the next generation to undo the knots we’ve been left with.

Indeed, ‘Scales Will Fall’ directly addresses youthful protest. Bothwell’s Scottish rap is fiery and lucid, as brass fanfares swell amidst the rubble of her speaker’s corner invective.

Children’s voices are also used to disarming effect throughout the album, reinforcing the need for future voices to be heard. It’s stirring stuff, agitprop without ever feeling preachy or too on the nose.

‘Dead In A Post-Truth World’ is a bilingual Welsh and English pondering on how GB News, Reform et al have been platformed, squidgy synths circling around “gammon on the telly”. It would all be ominous and worthy, were the instrumentation not so playful.

Meanwhile, ‘Clara’ is possibly the closest thing here to a ballad, a trippy folk paean which is like a seventies band teetering on the brink of collapse.

It’s not all retro influenced though. Hen Ogledd always has a keen interest in technology, which stops them from getting too Stuart Maconie’s Freak Zone. ‘End Of The Rhythm’ has funky percussion and ‘Clear Pools’ starts like Red Krayola, but cools into a meditative ambient post-Eno soundscape that’s almost twenty minutes long.

If this is the utopia Hen Ogledd proposes, you can count me in. Amid the doom scrolling, there are always those who are full of invention and good intentions.