Scotland's online arts and culture magazine
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Alexandra Wingate

Reviews: 78
Other Articles: 48

Ruddigore

This is a Gilbert & Sullivan production to end all Gilbert & Sullivan productions.

Beauty (Skoonheid)

Obsession, manipulation and violence: the tragedy of a closet homosexual trapped in a “typical” straight life.

Carmen

An affordable chance to see some impressive singers, far superior to what’s usually expected of an amateur production.

Interview

Write Shoot Cut

Neil Rolland, creator of Write Shoot Cut, speaks to Alexandra Wingate about his quirky new evening dedicated to short films.

Turtles Can Fly

Sensitive, eye-opening and entertaining, this film is mysterious and not afraid to experiment.

Beloved (Les bien-aimés)

Despite its length, Honoré’s plot moves forward too quickly to really care about what his underdeveloped characters are going through.

Preview

Miranda

With some rising names of the dance and music industry, this production acts as a showcase for theatre that aspired to the visual richness so common in Scottish Opera.

Saturday Night

The fourth wall develops a whole new meaning in this production that no two observers will interpret in the same way.

Midnight in Paris

This is a feel-good film that reminds us to appreciate what we’ve got, because human nature’s inherent longing for the past will never be productive.

Preview

GFT: September

As the Fringe rolls out of town and Edinburgh suddenly feels like a comparative cultural desert, the place to be this September to quench your film thirst is GFT.

Korean Drum – Journey of a Soul

DANCE & PHYSICAL THEATRE

In a spectacle that is nothing short of mesmerising, this is a captivating fusion of mindblowingly precise dancing and drumming, giving a taste of traditions of the East.

The Boy With Tape On His Face

COMEDY

Audience participation is the name of the game in this silent sketch show, back by overwhelmingly popular demand after a sell-out run at last year’s Fringe and a string of awards.

Kafka and Son

THEATRE

With such a complex literary figure being made accessible in a way that so fully utilises the possibilities of the stage, this is faultless theatre that must not be missed.