Scotland's online arts and culture magazine
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Callum Madge

@CWMadge

Callum is Creative Administrator for Lung Ha Theatre Company - a theatre company for learning disabled performers, and Project Administrator for flip Artists - an initiative which supports the artistic development of disabled artists. He has been writing for The Wee Review since 2011.

callumwaianamadge.wordpress.com/

Reviews: 209
Other Articles: 29

Xingu

A picturesque drama about Brazilian expansion into the Xingu region of the Amazon.

Cloud Atlas

David Mitchell’s award winning novel, adapted into a visually breathtaking and constantly surprising accomplishment.

Men at Lunch

A documentary that tries to shed some light on the iconic Lunch Atop a Skyscraper photograph.

Kuma

An affecting portrait of how a close-knit family unit reacts when an outsider is introduced.

Takin’ Over the Asylum

Donna Franceschild’s adaptation of her 1994 TV series is still as relevant as it was when originally penned.

Slick

A fast paced, visually bewildering and inventive piece of theatre by Vox Motus

Consuming Spirits

Chris Sullivan’s painstakingly produced feature length animation about death and making the most of our lives.

Lincoln

Spielberg’s latest film exploring Lincoln’s struggles with the Thirteenth Amendment

Interview

Interview: Simon Hart

Callum Madge catches up with Artistic Director Simon Hart to talk about this year’s Manipulate programme and how it has evolved.

Cul-de-sac

This smart thriller is an early example of Roman Polanski’s skill as an engaging director.

A Taste of Honey

Shelagh Delaney’s stark portrayal provides a powerful commentary of the time’s social conditions

Django Unchained

The shackles are off for Quentin Tarantino’s slick new production about vengeance and slavery

The Impossible

A powerful recount of the 2004 Boxing Day tsunami but lacking some narrative substance

The Snowman

Bill Alexander transforms Raymond Briggs’ Christmas Classic into a feature length ballet.