Scotland's online arts and culture magazine
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Emma Hay

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Reviews: 118
Other Articles: 38

Antigone

Maria Oller’s production has simplified the complex, making an accessible and enjoyable piece of theatre.

ANA

A darkly funny recreation of Queen of Heaven Inanna’s descent into the Underworld.

Elena

Andrei Zvyagintsev’s critically acclaimed film is enjoyable, but lacks any substantial comment.

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If Not Us, Who?

Holloway’s point is that it’s important not to be ambivalent to oppression. And if we don’t do something about it, who will?

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Interview

Interview: Clare Duffy

Playwright Clare Duffy talks to Emma Hay about getting lost in translation and Sumerian goddesses ahead of her play ANA at the Traverse.

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Uncategorized

Cairo Exit

A frank, honest portrait of romance and hardship from the slums of Cairo.

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The Muppets

Jason Segel’s fast, feel-good and funny script is a seamless addition to Jim Henson’s classics.

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Coriolanus

Ralph Fiennes’ bloody, bold and brutal retelling of Shakespeare’s tragedy is hurled into the twenty-first century.

Interview

Interview: Alison Peebles

Alison Peebles chats to us on the oral culture of music ahead of Dogstar’s production of The Captain’s Collection, one of the company’s earliest creations.

The Tree of Knowledge

Darkly funny and tragically reflective look at how two men have shaped our culture, economy and potentially our future.

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Preview

The King and I

With promise of giant gold Buddhas, acrobatic dancers and a ten-piece orchestra, Leicester Curve’s lavish spectacle opens in Edinburgh this Christmas.

Interview

Interview: Jo Clifford

Exhilarating interview with Jo Clifford on the free-market and capitalism ahead of her newly commissioned work for the Traverse.

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Route 132

Québécois director Louis Bélanger’s Route 132 grapples with death and rebirth in a witty and poignant journey.

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Preview

27

Whatever your standing on religion, science, ageing and disease is, Abi Morgan’s new play will surely challenge it.

Television

X-Factor: A Big Turn Off

We are a creative country; surely there are better ways to cultivate this than televised talent shows?