Irina is a persistent theatre-goer who has written for The Wee Review since 2014. She has also written for Exeunt and The List. She likes concrete quite a lot and dislikes talking about herself in the third person.
The benchmark tale of mistaken identity and the follies of love given retro styling and a vaudevillian twist.
NTS returns to its nomadic roots by staging this powerful WWI drama in a barn in Perthshire.
Frank McGuinness’s 1985 World War I play looks outdated.
Directed by Dominic Hill, this four-hour epic of ambition and revenge is a skilful reworking of a Greek classic.
A brave and experimental piece from Vanishing Point that asks all the right questions.
A hard to follow but important to stage double bill as part of Progression 2015 International Celebration of Deaf Arts.
‘All of the private storylines, all of the private sorrows.’ Les Ballets C de la B stage director talks about En Avant, Marche! at EIF
