As a toe-tapping, teen smash hit of the 1980s,  the film ‘Footloose’ is etched onto the memory of many a ’50 something. The cast of its latest incarnation at the Edinburgh Fringe, brings all the same enthusiasm, energy and vitality to this story as was seen in the original. It’s a touching plot with enduring appeal, and is ideal for school youth theatre. Misunderstood teenagers clash with and then win over, their crusty, misguided superiors, in order to celebrate music, dance and ultimately life. The tunes are powerful, catchy and memorable and there’s a good balance between chorus and individual scenes. This adaptation is sensitive to the original film, but also allows many of the cast an opportunity to participate in small speaking roles.

The whole ensemble seems to be loving the experience, and their enthusiasm is highly infectious. A strong chorus, with great harmony singing, supports the lead characters, who all shine in their own way. The actor playing Willard Hewitt is particularly convincing in the role of the awkward two-left-feet, country bumpkin, complete with dungarees and a Stetson. There’s also a good rapport between Ren and Arial, and the bible-thumping reverend is suitably stern with a good stage presence.

Musical numbers such as ‘Holding out for a Hero’ provide a chance for the all-female chorus to demonstrate the power of the sisterhood. With slick dance moves and strong vocals, these young teenage actresses really sparkle, strutting their stuff and grooving away in their cowboy boots. The eponymous title track has the audience tapping their feet from the off and this is reprieved in the joyful finale.

Staging is simple but ingenious, with revolving pillars evoking the different locations of the action. Some oil drums and tyres are also used to good effect in the varied choreography, which is youthfully athletic.

Footloose is a fun and uplifting show which is completely worthy of its place at the Fringe.