Since Royel Maddell and Otis Pavlovic formed in Australia, the duo have been gaining a big audience for their garagey indie which exudes confidence and energy. So it is with their second studio album, the follow-up to Pratts & Pain. It’s definitely as assured as the debut, with its songs bursting out of the speakers and tailor-made for indie dancefloors and summer festivals. Indeed, this summer sees them out on an extensive tour.

There’s a New Order Hooky style hook to the guitar in opener ‘I Hate This Tune’ and a real bounce. ‘Car’ has a scrappy, indie rock immediacy redolent of The Strokes, whereas ‘Good Times’ is shimmery, radio-friendly dream pop. And ‘Jazz Burger’ mines the best elements of MGMT and early Tame Impala to sun-dappled, psychedelic jangly effect. All of which is fine – they’re still young, and know how to perfectly construct some fine pop anthems.

But what’s missing is a sense of their own individuality. Once they hone that, and find their own voice, they’ll really leave a mark, like the love bite of the title. It’s a safe bet they’ll be glorious fun at festival stages in the sun though, and at this stage of their career, it’s churlish to deny their playful, breezy appeal. I would like to hear more attack, a little more cojones next time. But in the meantime, this has some undeniable charm and strengths.