Showing @ Filmhouse, Edinburgh, Thu 18 Oct only
Waldemar Krzystek / Poland / 2011 / 110 min
80 Million is being put forward in this year’s Oscars’ Foreign Language category, and it definitely stands a chance of taking the top prize. Never heavy handed in its violence, dramatic tension, performances or soundtrack, the vision painted by renowned Polish director Waldemar Krzystek is a unified and harmoniously functioning microcosm. Nothing jars within his presented world, it is grittily realistic throughout, yet Krzystek still manages to maintain a delicate artistry over every shot.
Set ten days prior to military rule over Poland, there have been several scuffles between the authorities and resistance group Solidarity, who get wind of the government’s plan to freeze all bank accounts across Poland. They must therefore operate underground, to maintain control over their funds, and triumph over the intense political struggle. What emerges is a race against the authorities, the clock and even child-birth. The performances are incredibly deft; Piotr Glowacki in particular as the sadistic antagonist Sobczak risks outshining the film itself through his sheer charisma and naturalistic chutzpah. His performance is simple, astounding, and provides a true opposing force for the Solidarity members. 80 Million is a grower. While incredibly powerful by its triumphant end, it takes a little while to settle into its jaunty rhythm. But persevere. This political thriller throws many curveballs and is in no way a predictable ride.
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