Graeme Strachan

@The_reviewist

Graeme Strachan is a writer based in Edinburgh. He has been a critic and reviewer for over 15 years, covering film, theatre, video-games and restaurants. He also likes to dabble in film and television production during the day.

https://reviewism.wordpress.com

Reviews: 132

Other Articles: 0

Five Easy Pieces

A ground-breaking, era-defining classic of American cinema

The Painted Bird

This bleakest of war films becomes monotonous through sheer, dragging sadness

Lucky Grandma

Everyone should have a grandma like this

A Place Among the Dead

Messy faux-documentary with the feel of a student art project

Cold Light of Day

A dull and plodding experience

La Llorona

Surprisingly low-key and yet still effective

The Spirit of the Beehive

A sombre and beautifully stark howl against fascism

Max Richter’s Sleep

A contemplative and semi-somnolent experience

The New Mutants

The sad death knell of a long-running franchise

Tenet

Proof that Christopher Nolan’s own strengths are sometimes his greatest weaknesses

Host

A gleefully fun nugget of new horror cinema

Tigers Are Not Afraid

Worthy, but not exemplary, addition to Mexican horror cinema

Sputnik

Grippingly entertaining low-fi Russian sci-fi horror

The Witch in the Window

Contemplative human drama laced with the supernatural

The Last Days of American Crime

The Showgirls of action movies

The Cameraman

As much a delight as when it was filmed almost a century ago

The Droving

A low budget folk horror that’s well worth seeking out

The Final Wish

If you’re craving a demonic horror, be careful what you wish for

Destry Rides Again

A smart and revolutionary Western that deserves its place in the annals of the genre

The Iron Mask

It’s hard to dislike this charming but vapid fantasy schlock

The Wolf Hour

Too weary, slow and dreary to save itself from mediocrity

Edinburgh Filmhouse

The Man Who Killed Don Quixote

The powerful magic of believing in your own dreams against all odds

Manon

A fascinating artefact of French post-war cinema

Edinburgh Filmhouse

A Hidden Life

A commanding tone poem on the nature of conscience