Scotland's online arts and culture magazine
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Neil McEwan

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Reviews: 193
Other Articles: 86

Polaris

A missed opportunity from Czech company Wariot Ideal with their tale of madness, bravery and friendship in the frozen wastes.

Interview

Interview: Mark Eischeid

Artist Mark Eischeid speaks to us about the new exhibition by ASCUS (Art Science Collaboration) at The St James’ Centre, Edinburgh

J. Edgar

Eastwood has produced an absorbing portrayal of a lawman whose fingerprints can still be seen all over American politics and society.

The Sleeping Beauty

Unbalanced and ultimately unsuccessful take on Tchaikovsky’s tale of fairies, handsome princes, and over-napping.

Uncategorized

It’s a Wonderful Life

As the 65th anniversary of Frank Capra’s classic approaches, Neil McEwan looks into the film’s subtle Conservative underpinning.

Interview

Interview: Gareth Williams

Newly appointed Composer in Residence at Scottish Opera Gareth Williams chats to us about site-specific opera, music therapy and a Northern Irish elephant.

Alston

Alston takes the work of composers as diverse as Mozart and Reich and translates it into dance with a rare level of empathy.

Little Match Girl Passion

This double bill at the Traverse is a perfect example of both the very best and very worst of Cryptic Theatre’s nature.

Preview

la nuit intime

Intimate and erotic dance performance from the experimental pioneers balletLORENT.

Chabrol In Brittany

A short season of murder amongst the bourgeoise under the glowering grey skies of Brittany.

Preview

Alston

The chance to see these pieces, particularly Roughcut, is not something that should be missed by lovers of dance and those who appreciate Alston’s seminal contribution.

Interview

Glasgay! Festival

Producer Steven Thomson speaks to us about a kaleidoscopic blend of fact, fiction, creativity and imagination in Glasgow’s annual festival of LGBT art.

Street Scene

An unsatisfactory and flawed version of Kurt Weill’s New York Opera from The Young Vic and The Opera Group.

Preview

Street Scene

Kurt Weill’s dark, brooding American Opera full of jazz tinged arias comes to Edinburgh Festival Theatre.