Puppetry offers a form to the imagination that few other mediums can capture. Benefiting from a physical dimension, it takes an edge over animation, cinema and lighting effects. It makes our dreams, our hopes, and even our nightmares, significantly tangible. The Adventures of Curious Ganz told with miniatures, string and rod puppets is an enchanting piece which delves into history, alchemy and the stars.
Curiosity is, like its sibling necessity, a catalyst of science, imagination and adventure. Glossing over the colonial aspects of exploration, Curious Ganz tells the tale of a small, nosy man who is never without his trusty magnifying glass. Setting out on the open ocean, or the deepest mines of Peru in search of something, anything, Ganz encounters a familiar royal who herself finds interest in the world beyond the River Thames.
From Queen Lizzy the First to the Duffers, and even a disgustingly adorable caterpillar, Sarah Wright’s lead set and puppet design from a team consisting of Lyndie Wright, Liz Walker, Alice King, Mae Voogd, Katie Williams & Luke Wood are exceptional. Basing their production on the life of copper smelter Joachim Gans, the ability to shift us from the universe’s beginning to the stench of old London seamlessly is a testament of their profession. Liz Walker, Avye Leventis/Nix Wood and Ailsa Dalling’s conduct a wealth of tales from their fingertips, straying from drama to comedy and into touching moments with ease.
Naturally, it wouldn’t be children’s theatre without some countermanding fear to balance the sickeningly charming characters. In his bid to stifle science and maintain his authority in the Queen’s court, the Prime Minister may have a small role but it showcases the inventiveness of the Little Angel Theatre. Defiant that the world is flat, the puppet of the Prime Minister looms over model earth, with a tiny boat heading towards the edge. As he warns of sea monsters, leviathans and beasts, enormous puppet creatures sway back and forth around him. Sharply crafting him, his features strike imposing shadows on the cold stone of the Assembly theatre.That’s the thing about ‘kid’s shows’, in an audience with one child -there are many more adults- it’s evidence of our appetite for shows such as Curious Ganz.
Unfortunately, there is some incoherence with the narrative, which causes the imagination to come off the reigns. It leads to the climax feeling rushed, bombastically throwing a great deal at the audience, and when contrasted with the slow, simple opener as the universe evolves, seems heavy on visuals, and light on reserved storytelling.
Understandably, this eruption of creativity comes from a place of enthusiasm. Which is what you’ll find heaping’s off throughout Curious Ganz, passionate storytelling which stumbles on its coattails to showcase as much delightful puppetry as possible in the fifty-minute runtime. Offering a revised insight into historical discovery, with delightful puppets of all shapes and sizes, Little Angel Theatre and Silent Ride are alchemists of storytelling, spinning wood, plastic and string into gold.