Robert Peacock
@peaky76
Robert is the Managing Editor of The Wee Review and has been writing for the site since 2014. Previously, he was manager of the Yorkshire arts website, digyorkshire. Having worked in the arts, charity and horseracing sectors, he is now a full-time software engineer and lives in Edinburgh with his partner and two young daughters.
Reviews: 540
Other Articles: 265
Bonnie Prince Billy & Bill Callahan
Blind Date Party
Corny covid crisis collaborative covers collection
Short Com comes to Summerhall
Comedy short film festival celebrates the best new film-making over two nights in November
Simon Evans: The Work Of The Devil
Gentleman raconteur muses on identity with a personal twist in the tale
I Am Not Victoria Wood
Julia Knight’s tribute show with a twist is a welcome reminder of a comedy great
Peter Buckley Hill: How Does He Smell?
Free Fringe head honcho is back where he belongs and in fine form
Kings of Leon
When You See Yourself
They’ll never be the band of yore again, but all is not entirely lost
Daniel Takes A Train
Last Ticket To Tango
Revived 80s pop contenders release the new album they could’ve done then
James Yorkston & The Second Hand Orchestra
The Wide, Wide River
New Swedish collaborators only partially show a new side to Fife singer-songwriter
Short Com brings comedy cheer to a tough year
Comedy short film festival will be donating profits to the Refugee Council
Edinburgh Multicultural Festival
Online edition features Taiwanese classical, Middle-Eastern traditional and Afrobeat music as well as theatre, dance, poetry and storytelling.
Samhuinn goes online
Hearth Fire is an opportunity for audiences from around the world to participate in this ancient Celtic tradition
Rolling Blackouts Coastal Fever
Sideways To New Italy
Likeable Australians don’t take the expected step forward
Monkey Barrel launch vinyl record label
Comedy club’s first releases will include top shows from last year’s Fringe
NTS reveals details of new shorts series
The first Scenes for Survival will feature pieces by Janey Godley, Morna Pearson and a new Rebus