Dominic Corr
@Dominic_Corr91
Dominic is a recent Film & Media graduate who gravitated towards the stage. For seven years he has been a freelance writer who has reviewed countless productions, films and events over multiple outlets. Originally from St. Andrews, he is at his happiest when surrounded by books, curtain up or trailer's starting, gin is citrusy or anything relating to fairy tales is on the table. Shortlisted for the Allen Wright award 2018. Reviewer, writer and 'professional' cynic.
Reviews: 162
Other Articles: 1
Where The Seagull Flies
Despite overwrought melodrama, it’s difficult not to appreciate the nerve of principal performances
Breakfast Plays: Matterhorn
Despite some tremendous visualisation, Matterhorn suffers from an overly convoluted script
My Punch-Drunk Boxer
Sports film that breaks from formula and captures a diverse range of genres and movements
Jesters: The Game Changers
Fitting tribute to Korean storytellers, and the concerning impact of artistic performance as propaganda
Who Goes There?
Short horror western dripping with tension, and unafraid to embrace quieter atmospheric moments
Some Kind of Weasel
A show that reminds us to embrace everything – whether that be a career, divorce or our insecurities
Haunted
In attempting to infuse aesthetic, Haunted loses much of the impact it was building
At The Ghost Light
Charming references to theatre’s past remind us of the struggles our industry has previously overcome
The Mortuary Collection
Despite banking on nostalgia, an anthology that earns autonomy as a stand-alone triumph
Love, Loss & Quarantine
This brief successor to The Swell’s breakout show easily puts a spring in your lockdown step
Under Heaven’s Eyes
While only in its early stages, Christopher Tajah’s reading hints at a future powerhouse of a production
The Plague Thing
A powerful and compact piece reminding us about the mental impacts of isolation
My Light Shines On: The Telephone
Scottish Opera treats us to an engaging adaptation for a new generation
